This Is Living is a new a new and immersive performance piece, building upon the phenomenal successes of Big hART’s Radio Holiday and Drive In Holiday.

A dark comedy, it weaves together the complexities of life and love through the lens of a life-long secret ménage-a-trois, a fatal car crash, and the front-page tabloid photographs of our many esteemed newspapers.

Written and directed by Scott Rankin, This Is Living features 3 of Australia’s veteran actors Anne Grigg, Lex Marinos and Bruce Myles, joined by a chorus of other worldly witnesses who emerge from the woodwork of their towns. It interweaves local histories of intimacy with photographic memorabilia, haunting music from The Dunaways, a layered text and the kinetic art of skateboarding. International yet local, intimate and irreverent - another multi-layered work from Tasmania's most awarded arts export.

This is classic Big hART – international yet local, intimate and irreverent – another multi-layered work from Tasmania's most awarded arts export.

"There's no company I admire more in Australia...The very best of its kind"
- Robyn Archer AO

This Is Living follows in Big hART’s trademark tradition of bringing career artists together with non career artists, and experimenting with form to produce large and original works alongside inspiring communities and individuals.

In its premier season, This Is Living grew from creative communities around Tasmania - in Wynyard, Latrobe, Glenorchy & Huon Valley. The performance piece was the pinnacle of a broad and multilayered project, spanning 2 years and involving what became Tasmania’s largest theatre company - over 300 people across generations, professions and geographic locations.
Palais Theatre, Franklin
Photo: Brett Monaghan
It began as a modest pilot production on Tasmania’s rugged North West Coast in 2007, and has since undergone a slow build in momentum. Artists have worked directly with young people on the fringe, and the oldest people in the community, bringing them together through interviews, storytelling, photography, performance… kind of like skateboarding in nursing homes. The final performance work evolves from this process, differing in each community as local material is woven into the show around universal themes.

The project explores intergenerational participation and at the same time asks, “What is Living?”, raising challenging questions about quality of life and highlighting issues requiring discussion at a time when the ageing of Australia’s population is increasingly on the social and political agenda.
Derwent Ent. Centr, Glenorchy
Photo: Brett Monaghan
Ten Days on the Island, 2009 Premier Season
Writer & Director
Scott Rankin
Creative Producer
Sophia Marinos
Associate Director / Chorus Coordinator
Chris Mead
Actor – 'Morgan'
Bruce Myles
Actor – 'Ron'
Lex Marinos
Actor – 'Jan'
Anne Grigg
Live Music
The Dunaways – Mark Narkowicz, Graeme Rankin, Andrew Viney, Martin Witheford, with special guest Stuart Thorne
Witnesses
Peter Dixon, Cleone Probert, Mike Dixon, Alwyn Friedersdorff & a chorus of local ghosts
Skaters & young people Telen Rodwell, Locky Rankin, Kade Redmond, Olivia Kent & local young people
Musical Director
Andrew Viney
Lighting & Audio Visual Design
Nicholas Higgins
Sound Design
Andrew Poppleton
Choreographer
Kelly Alexander
Costume Design
Zoe Churchill
Web & Graphic Design
Makeshift
Community Producers
Stephanie Finn & Kirsty Grierson
Production Manager
Mel Robertson
Stage Manager
Jess Smithett
Photographic Research
Rick Eaves
Youth Support
Jason Bakes & Telen Rodwell
Production &
Tech Crew
Billy Mercer, George Nicholas, Kane Watts
Big hART was established in 1992 by John Bakes and Scott Rankin in Burnie, Tasmania. Big hART is a group of people who make art together – creating theatre, film, television, paintings, photography, dance and radio. Big hART often work in small towns around the country or in cities where groups of people lack opportunity because of policy decisions, circumstance, survival issues or personal choice.

Big hART experiments with the process of making high quality art over long periods of time, involving large groups of people and then placing the finished work in national and international arts festivals. This often creates new opportunities for participants, helps build skills in communities and contributes to national social policy debate.

Visit some of the other Big hART projects

www.lucky.org.au
www.drive.org.au
www.junktheory.org
www.ngapartji.org
www.au.org.au

www.bighart.org